Los Angeles, CA, September 23, 2024 — Work Editorial welcomes Luke Haigh to its acclaimed roster of film editing talent. The Kiwi/British editor will be based at the Los Angeles office but represented by Work Editorial throughout the USA & UK.
Haigh’s impressive body of work in cinema and advertising includes several festival-darling feature films and award-winning global commercial campaigns, which have received accolades like the Grand Prix at Cannes Lions, Clio, and D&AD Awards.
Haigh’s career has led to recurring collaborations with directors Taika Waititi, Damien Shatford, Steve Ayson, Nathan Price, and Mark Albiston, among others. His cinematic sensibilities have been tapped by agencies and brands to create epic commercial films, including UberEATS, Coca-Cola, Sprite, Toyota, Nike, Lipton, and Air New Zealand’s larger-than-life safety video featuring a cameo by Elijah Wood. His ads often feature characters embarking on journeys, otherworldly phenomena, high-flying action, and sweeping imagery worthy of the big screen.
An expert visual storyteller, Haigh has edited eight feature films to date, several of which made their world debuts at the Sundance Film Festival, TIFF, and SXSW. Among these films are Taika Waititi’s “Hunt For The Wilderpeople,” the Daniel Radcliffe action-comedy “Guns Akimbo,” the Netflix romantic comedy “The Royal Treatment,” Lee Tamahori’s pre-colonial Māori tale “The Convert” starring Guy Pearce, and the upcoming “Tinā,” (Samoan translation Mother) which will be the opening film at this years Hawai’i Film Festival in October.
His numerous short films include “Datsun,” which made its debut at the Berlinale, the brand short “Sheep Impact” for Carlton Dry starring Steven Seagal, and “Blue” Directed by Stephen Kang. “Blue” won the Canal+ Award at La Semaine de la Critique, Cannes Film Festival.
Luke Haigh says, “I have been a massive fan of Work for a very long time. In my eyes, they are the absolute pinnacle of commercial editing. They have the most epic roster and are prolific in the quality of their output. Every spot has that incredible level of craft, care & attention to it. You can feel the genuine love for storytelling that underpins everything they do. And that is something that resonates with me and my own work. Oh, and to be honest, the team is just freaking awesome—it already feels like home, and I can’t wait to make some amazing things together.”
Jane Dilworth, Work Editorial Founder, adds, “We’re huge fans of Luke’s work and have already got off to an amazing start with some high-caliber projects here at Work. He’s a genius editor and a wonderful collaborator. The fact that so many directors and brands keep returning to him with new projects speaks for itself. We’re very fortunate to have him on our roster, and the future looks great!”
