- EE launches new brand campaign, The Search Is Over, highlighting to the nation that new EE TV is here
- The campaign focuses on three specific audiences – busy families, modern independents and empty nesters – showcasing how EE TV takes the tension out of television: by offering a range of content for all the family, available in just one search, and by flexing with the home with the ability to turn subscriptions on and off as households require
- The Search Is Over will run across TV, cinema, online video (OLV), broadcast video on demand (BVOD), radio, social, out of home (OOH), digital out of home (DOOH), digital audio and retail. View, share and embed the content: Playdateand They’re Back
16th July 2024, London UK – EE today launches its new nationwide campaign, The Search Is Over, announcing to the nation that new EE TV is here, with bespoke social, digital, OOH and TV executions highlighting howEE TV benefits three specific audiences: busy families, modern independents and empty nesters.
Built on the insight that, thanks to being spread across different platforms, subscriptions and logins, the world of television can often feel overwhelming, The Search Is Over highlights how EE TV is the one-stop-shop for entertainment as with just one search, viewers can find the content they want across live TV and streaming services. It also demonstrates how EE TV flexes with the home with the ability to turn subscriptions on and off as households require.
The audience-led campaign has been created by Publicis Groupe UK agencies Saatchi & Saatchi, Digitas UK, Prodigious and Boomerang, in partnership with EssencemediacomX and Posterscope.
The two films, created by Saatchi & Saatchi, and going live nationwide from today, will be:
Playdate reflects the chaos of modern family life as kids take over homes whilst on, or hosting, a playdate. The film opens on a series of children bundling into houses, pushing through front doors and ready to have fun and mess about at their friend’s house. Set to If The Kids Are United by Sham 69, the film cuts between homes depicting a variety of scenes that will be familiar to families across the country; from children engaging in pillow fights and teenagers filming TikTok dances, all while parents try to navigate their way through the house. As the chaos starts to build, a mum finds a young girl hiding from the noise and asks her, ‘is it all a bit much?’. Suddenly, another child grabs an EE TV remote and immediately, a sense of calm is restored across the households. The parents and children sit down to relax, flicking through a variety of content before making their choice and watching together in harmony. The film showcases how with EE TV, in one search viewers can find the content they want across live TV and on demand, fast and all in one place.
Playdate goes live with a nationwide TV campaign on Tuesday 16th July with key broadcast slots including:
- Love Island (ITV 2) – Friday 19th July
- Non-Stop (5TV) – Friday 19th July
- Kingsman: The Golden Circle (C4TV) – Saturday 20th July
It will also run across cinema, broadcast video on demand (BVOD) and online video (OLV).
The second film, They’re Back, explores the concept of empty nesters, when teens, students and deposit-saving young adults move back in and suddenly, the TV has to be shared again. The story opens to a series of parents as they go about their evenings, relaxing with a cup of tea, watching TV and having dinner. Suddenly, the doorbell rings and ‘THEY’RE BACK’ is displayed on screen, as front doors swing open, moving boxes are squeezed through hallways, and children disrupt the home. The film then flicks between living rooms across the country, with crammed sofas and noisy children, as they ask their parents ‘have you got Netflix?’, ‘have you got NOW?’. A grandad smiles as households are seen tapping a tablet to choose their streaming service, before sitting down together to watch a show. The film demonstrates how EE TV flexes with your home, with the ability to turn subscriptions on and off so members of the family can use whatever streaming services make them happy. The spot ends with the familiar voice of Kevin Bacon announcing that ‘new EE TV is here, with subscriptions that can change as fast as your home does’.
They’re Back will run across broadcast video on demand (BVOD) and online video (OLV) from today (Tuesday 16th July).
The campaign, planned and bought by EssencemediacomX and OOH agency Posterscope, will sit across a range of channels with custom executions tailored to maximise engagement for each audience group and platform.
The Search Is Over will also activate across a range of additional touchpoints, including:
- Digital out of home (DOOH) that will rotate based on a variety of contextual triggers. From a heatwave to a bank holiday weekend, the content will be updated to showcase a TV show available on EE TV and relevant to that moment in time.
- A Find The Remote social livestream challenge on TikTok and Instagram, to highlight EE’s universal remote. The challenge, which will feature presenter and television personality, Jamie Laing, encourages people to find EE TV remotes hidden in secret locations across the UK. Winners will need to find Jamie at the events and quote ‘The Search Is Over’ to receive £1000 cash and an EE TV bundle (24 months TV including the Full Works Plan and EE broadband). Find The Remote is led by Saatchi & Saatchi and Boomerang.
- A retail experience for the public across three key EE Experience stores; the EE Studio in Westfield London, White City, Manchester Trafford Centre and Bluewater in Kent. Showcasing that EE TV has entertainment for everyone, the stores will be designed with three unique living room settings: gothic core, anime fanatic and cat lovers. EE stores up and down the country will then be a part of the Find The Remote competition and people will be encouraged to visit the stores by talent, Jamie Laing, for a chance to win.
- To showcase the power of EE TV, Digitas UK has created a 90-second explainer video that drives traffic to the EE website and walks customers through all the enhanced functionality of EE TV, including universal search, the intuitive user interface, flexible subscriptions and breadth of content. Additionally, Digitas UK has developed a comprehensive suite of customer communications to promote EE TV to the existing EE customer base.
Pete Jeavons, Marketing Communications Director at EE, said: “We know that watching TV can bring a moment of relaxation and togetherness to households across the country. However, we also understand that with so many platforms, subscriptions and log ins, sitting down to watch a show or a film can feel overwhelming. The Search Is Over demonstrates how EE TV takes the tension out of television. Built for busy households and with amazing entertainment, sport and movies all in one place, it elevates the TV experience for viewers across the UK and is another great example of how new EE does more for our customers”.
Ben Mooge, CCO at Publicis Groupe, says: “The TV is a character in the home; a crowd-pleaser, a sanctuary and sometimes sweet relief. EE knows the rhythms of our family lives, and EE TV is perfectly placed to fit in with yours. TV that changes as quickly as your home life does, and fast search across every platform when you need it; for example, just at the moment that school holiday playdates are spiraling out of control. With EE TV the search is over.”
EE TV is designed to offer a truly flexible TV experience for the busiest homes. A first-of-its-kind offering, EE TV includes flexible content packages and a choice of hardware with the EE TV App on Apple TV 4K, alongside EE’s own set-top box range and a multi-room option. With EE TV, customers can enjoy Netflix, Sky channels from NOW, Apple TV+, TNT Sports, discovery +, all their live TV, free-to-air channels, and streaming.
For more information, visit ee.co.uk.
- Campaign Credits
- CAMPAIGN TITLE: The Search is Over
- CLIENT: EE
- AGENCY: Saatchi & Saatchi
- CAMPAIGN TITLE: EE TV
- CLIENT: EE
- ADVERTISING AGENCY: Saatchi & Saatchi
- CCO: Ben Mooge
- EXECUTIVE CREATIVE DIRECTOR: William John
- COPYWRITER: Sarah Heavens, Issie Peach
- ART DIRECTOR: Neil Richie, Molly Ohayon
- PLANNING PARTNER: Olivia Stubbings
- SENIOR PLANNER: Ciaran McManus
- MANAGING PARTNER: Jonathan Tapper
- BUSINESS LEAD: Cameron Saville-Smith
- ACCOUNT DIRECTOR: Faye Kimpton, Joe Dowson
- ACCOUNT MANAGER: Louisa Pudney
- AGENCY EP: Rose Reynolds
- AGENCY PRODUCERS: Elizabeth Cavenett, Amy Oldfield
- CREATIVE DIRECTOR: Mike Tran
- CREATIVES: Kurt Strong, Joe Fletcher, Karl Poole, Babajide Amusu, Sonya Hau, Adriano Fidalgo
- BUSINESS DIRECTOR: Justin Hyde
- ACCOUNT DIRECTOR: Caroline Mogotsi
- PROJECT MANAGEMENT: Ameer Bacchus
- MEDIA BUYING AGENCY: PHD
- PRODUCTION COMPANY: Somesuch
- DIRECTOR: Caleb Femi
- PROD CO PRODUCER: Tom Gardner
- PROD CO EP: Tash Tan
- EDITOR: Amber Saunders
- EDIT HOUSE: Cabin
- POST-PRODUCTION COMPANY: Selected Works
- POST-PRODUCTION PRODUCER: Kate Ryan & Dale Heron
- SOUND ENGINEER: Mark Hills
- SOUND STUDIO: Factory
- PRODUCTION: Prodigious
- CREATIVE ARTWORKER: Carl Collins
- SENIOR CREATIVE ARTWORKER: Dean Vuckovic
- SENIOR RETOUCHER: Darren Grives
- HEAD OF RETOUCHING: Kirsten Howe
- SENIOR PROJECT MANAGER: Adie Reily
- HEAD OF DESIGN: James Crickmore
- DESIGNER: Simon Hadassi
- SENIOR DESIGNER (FREELANCE): Bella Cologlu
- SENIOR DESIGNER: Chris Vincent
- SENIOR DESIGNER: Kumal Shah
- SENIOR DESIGNER: Lucien Bishop
- SENIOR DESIGNER: Natalie Alves
- SENIOR DESIGNER: Graham Puttock
- SENIOR DESIGNER: Anna Hahto
- SENIOR MOTION DESIGNER: Aivaras Seduika
- SENIOR MOTION DESIGNER: Marco Balducci
- MOTION DESIGNER: Blake Hart-Wilson
- MOTION DESIGNER: Sally-Amy Ngwenya
- MOTION DESIGNER: Ash Hoque
- DESIGNER: Shona Macleon
- DESIGNER: Conor MacLeay
- DIGITAL DESIGNER: Kat Wozniak
- SENIOR PROJECT MANAGER: James Goodwin-Davies
- HEAD OF EDITING OPERATIONS: Jason Fork
- SENIOR EDITOR: Ben Matthews
- ART DIRECTOR: Steve Azancot
- DIGITAL DESIGNER: Matt Lee
- 3D GENERALIST & VFX ARTIST: Mel Garber
- CGI ARTIST: Rich Hayes
- SENIOR AUDIO ENGINEER: Henry Frith
- JUNIOR MCR: Louis Sharman
- MCR OPERATOR: Ryan Kalifa
- ACTING HEAD OF ART: Rachel Wickham
- PHOTOGRAPHER: Sophie Jones
- STYLIST: Ella Lucia
- STYLIST: Kerry Pannagio
- PROPS STYLIST: Lizzie Gilbert
- SENIOR CREATIVE EDITOR: Rich Barnett
- SENIOR EDITOR: Ben Matthews
- EDITOR: Kat Bessant
- CG LEAD: Andrew Bayliss
- DIGITAL DESIGNER: Matt Lee
- CGI ARTIST: Rich Hayes
- MOTION GRAPHICS ARTIST: Rowena Matthews
- HEAD OF MOTION GRAPHICS: Lizzy Rowlatt
- MOTION GRAPHIC ARTIST: David Phelps
- HEAD OF AUDIO: Michael Powell
- AUDIO ENGINEER: George Turner
- EXECUTIVE PRODUCER: Jon Murray
- SOCIAL AGENCY: Boomerang
- EXECUTIVE CREATIVE DIRECTOR: Ian Gambier
- ART DIRECTOR: Shaun Maclennan
- COPYWRITER: Rebecca Cartey
- COPYWRITER: Pete Ashworth
- PRODUCER: Lucy Beer
- ACCOUNT DIRECTOR: Joe Dowson
- BUSINESS LEAD: Cameron Saville-Smith
- STRATEGY DIRECTOR: Ciaran McManus
- AGENCY: Digitas UK
- EXECUTIVE CREATIVE DIRECTOR: Bjorn Conradi
- CREATIVE DIRECTOR: Andy O’Carroll
- CREATIVES: Ivo Lazarov, Tom Charter, Peter Brown, Rafael Goulart
- MANAGING PARTNER: Matthew Lucas
- BUSINESS DIRECTOR: Jessica Brennan
- ACCOUNT DIRECTOR: Sophie Baldwin
- SENIOR ACCOUNT MANAGER: Leslie Boateng
- PROJECT MANAGEMENT: Maud Watters & Daniella Marcus
- SOCIAL STRATEGY LEAD: Harry Bunnell
- SENIOR DESIGNER: James Nawka
- DESIGNER: Tom Kolodotschko
- AGENCY: EssencemediacomX
- PLANNING LEAD: Anna Martorana
- BUSINESS DIRECTOR: Rob Corr
- PLANNING DIRECTOR: Paridhi Johri
- MEDIA EXECUTIVE: Megan Leader
- AGENCY: Posterscope
- OOH Partner: Dan Bayford
- Planning & Buying Director: Tom Murrihy
- Planning & Buying Manager: Rowan Gillete Fussel
- PRODUCTION COMPANY: Somesuch
- Director: Caleb Femi
- Founding Partner: Tim Nash & Sally Campbell MD/EP: Chris Watling
- Deputy MD/EP: Tash Tan
- Producer: Tom Gardner
- PM: Dominika Wosik
- Main Unit
- Director Of Photography: Benoit Soler
- 1st Assistant Director: Clara Paris
- 2nd Assistant Director: Dan Hasson Key Grip: Dave Mcanulty
- Dit: Lilly Palmer
- Sound Recordist: Don Nelson
- 2nd Unit
- 2nd Unit Director: Renee Maria Osubu
- 2nd Unit Dop: Korsshan Schlauer
- 2nd Ad: Callum Toms
- Location Manager: Jacques Groenewald
- Production Designer: Lucie Red
- Art Director: Ashley Dando
- Sfx: Matter Sfx
- Make-Up & Hair Stylist: Natasha Lawes
- Costume Designer: Jodie-Simone Howe
- Choreographer: Ivan Blackstock
