São Paulo, July 2026 – Landscape is expanding its production offering with the launch of a new music division. The initiative begins with two sound labels and one post-production house, further strengthening the company’s creative ecosystem.
Paloma Audio, founded by partners Gabriel Gabto and Rafael Chaves, joins the Landscape ecosystem alongside Savana, a new sound label launched this month by partners Gu Garbato and Priscilla Miranda, both formerly of Loud. At the same time, the ecosystem is introducing its first in-house operation, Mint State, a studio dedicated to post-production and sound design. The company brings to the Brazilian market the well-established U.S. model of separating music production from audio finishing.
The new division will be led by Renato Castro, an executive with nearly a decade of experience at AntFood. As Head of Landscape Sound, Castro will oversee the growth of the ecosystem while strengthening the connection between creativity, technology, and business.
“In the U.S. and Europe, music production and post-production are handled separately, making it clear who is responsible for each stage while enabling long-term partnerships that deliver quality and predictability for clients. My role at Landscape Sound will be to connect the industry’s top talent with Mint State’s finishing capabilities, leveraging the best each partner has to offer,” says Renato Castro. He adds that the division’s services will not be limited to the production companies represented by Landscape Sound.
Gustavo Gripe, CEO of Landscape, explains the decision to expand into sound production: “Music has always been closely connected to our services, but we had never found the right approach to enter a segment that is highly saturated and offers little differentiation. Conversations with Renato, Gabto, and other industry players gave me the perspective of separating music production from post-production, which is particularly interesting because of the scalability and technological innovation that this model enables.”
For agencies, the ecosystem also promises to introduce a practice that is already popular in international markets: presenting three demo music options before selecting a composer. This approach provides clients with a clearer preview of the final deliverable while reducing the subjectivity often associated with music briefs.
