Kotex restores “Art’s Missing Period,” by bringing creative works previously deemed “too sensitive to view” to the public. The brand is standing up against the stigma that perpetuates censorship around periods by putting it on display in this new campaign, created in partnership with DAVID London and Ogilvy Singapore.
For centuries, when art has featured blood, it has often been displayed in acts of violence, and it is never too sensitive for viewing. Blood has flowed freely across canvases, been carved into sculptures, and immortalized in masterpieces. All types of bloodshed are featured. Except one: period blood.
Kotex recognizes periods do not hold us back, but hiding them does. “Art’s Missing Period” sets out to rewrite that history by spotlighting art from around the world, including works dating back as far as 35,000 BCE and more contemporary pieces rejected by galleries and removed from public view.
“Visibility shapes culture, and we set out to change both,” said Genevieve Gransden, Executive Creative Director at DAVID London. “This is not just a campaign. It is a restoration of voices, narrative and art that deserves to be seen,” added Selma Ahmed, Executive Creative Director at DAVID London.
The campaign extends into a broad, cultural rollout, including:
A short documentary by Emmy award-winning filmmaker, Kathryn Everett, narrated by award-winning journalist and producer, Noor Tagouri, which questions why society accepts blood depicting violence but not the blood of life and creation, and tells the stories of artists who have faced period stigma firsthand
Out of home mobile billboard and wild postings placed outside museums, including the Guggenheim, MET, Whitney Museum, MOMA and more, bringing the work directly to the doorstep of the art world and turning the streets into an unmissable gallery (View here. Immersive experience on mobile)
QR codes on all out-of-home placements directing audiences to a virtual gallery that exhibits over 40 pieces of period-themed art and supports artists, galleries and exhibitions that host these works – on display for one year beginning April 6, 2026 at virtualgallery.com/kotexartsmissingperiod.
FINAL CREDITS – Art’s Missing Period
AGENCY:DAVID London & Ogilvy Singapore Global CCO & Partner: Pancho Cassis CCO Ogilvy Singapore: Nicolas Courant Global COO: Sylvia Panico North America Managing Director: Carolina Vieira North America Chief Creative Officer: Daniel Lobaton Europe Managing Director & Madrid CGO: Ricardo Honegger ECD London: Genevive Gransden, Selma Ahmed ECD US: Lauren Varvara ACD Ogilvy Singapore: Maggie Michella Art Director: Camilo Jiménez (Sazky) Global Chief Strategy Officer: Paula Vampre Executive Strategy Director: Jeremy Davis Group Strategy Director: James Mitchell Executive Director PMO: Jeremy Gelade Executive Business Lead/Head of Account: Mariana D’ Aprile Account Director: Irene Leon Account Supervisor: Carolina Villareal Executive Producer: Katharine Cowell Senior Business Affairs Manager: Keri Rommel Global PR & Communications Director: Sandra Azedo
CLIENT: Kimberly-Clark
Global Creative & Design Patricia Corsi: Chief Growth Officer Luiz Sanches: Global Chief Creative & Design Officer Denis Kakazu: Senior Director, Global Creative & Design Gustavo Sarkis: Global Creative Lead Katie Nikolaus: Director, Global Marketing and Partnerships Jen Kasmarick: Director, Global Content and Production Sarah Paulsen: Senior Director, Global Marketing Leandro Crispin: Senior Design Leader, Global Design
KCNA Marketing Katie Moran, President Adult & Feminine Care Nicole Pawlukowsky, VP Marketing Feminine Care Joanna Moy, Content & Connections Leader Feminine Care Annie Griffin, Digital Activation Leader Feminine Care
WPP Production Tania Sethi: Chief Production Officer, Americas James Brook-Partridge: Head of Production Katharine Cowell: Executive Producer Keri Catanzano: Senior Business Affairs Manager Tejaswita Desai: Business Affairs Manager Stephen Bernstein: Global Head of Business AffairsMattia Capasso: Production assistant Annika Gustavsson: Executive Post Producer Simon Hargood, Ben Mullins: Additional Editor Huw Caddy: Online Editor Chris Barralet: VFX artist Steve Wasas, Tom Brady: Motion Graphics Supervisor Edwin Collins, Ben Rogers: Colourist Jason Martine, Andrew Gould: CGI Mark Beardall, Ksenia Usenko: Online/ VFX
PRODUCTION COMPANY: Object & Animal Production Kathryn Everett: Director Dom Thomas: Executive Producer Serafima Kutsenko: Producer Will Atherton: Director of Photography Brydie O’Connor: Archival Producer Elisabetta Garletti: Contributor Researcher Harriet Loffler: Contributor Research Consultant Jessie Findlay: Script Writer Collin Kriner: Offline Editor Pam Autuori: Composer Jared Oliff-Lieberman, Jamie Winslow, John Robert Horville, Bryan Mitchell, Joe Dimanche, Tim Colao, Toby Norman: Production Sound Mixer (US unit): Eric Ledet, Joe Maggi, Tamás Jeszenszky Mia Goff, Sophie Ono, Gaayatri Dhawan: HMU Artist Bohdan Rohulskyi: B-Roll Camera Operator Matt Hampton: Minibus Driver Laura Hegarty, Lauren Skillen: Head of Production Garytt Poirier, Michelle Kinsler: Finance & Operations Grace Kahaki Munthali: Managing Partner Philippe Bresson: Creative Director / Producer
750 mph – Sound Ella Venvell: Producer Sound studio 750mph Giselle Hall: Sound Engineer 750mph
Contributors Noor Tagouri: Journalist Farah Ahamed: Writer Poulomi Basu: Artist Akira Crosby: Artist Dr Camilla Power: Anthropologist, UCL Dr Alana Harris: Professor of Gender and Modern Religious History Stephanie Bickford-Smith: designer
2023 Roastbrief is a digital media with global presence that seeks to share knowledge and updates about the creative industry.
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