Los Angeles, CA, January 21, 2025 — FCB Health New York, an IPG Health company, and SAFE Project have joined forces to create “The Snowball,” a short film that spotlights winter as a common catalyst for dangerous increases in alcohol consumption. In collaboration with creative studio LOBO, “The Snowball” combines a compelling visual metaphor with cutting-edge animation and a haunting soundtrack from Billie Holiday.
As millions embrace “Dry January,” the onset of colder, shorter winter days still leads to an uptick in alcohol misuse, which can lead to liver cirrhosis and other medical maladies and dangerous consequences for one’s life. Speaking to casual drinkers, “The Snowball” visually illustrates how anyone is at risk of becoming addicted to alcohol during this time of year when external climate variables can lead to excess consumption, even if the drinker does not immediately realize it.
Making good on the metaphor, the film follows one man as a quick liquor run gradually devolves into a full-blown addiction as a snowball gradually grows beside him, engulfing his whole life and eventually causing his demise. Set to the tune of Billie Holiday’s “Everything I Have Is Yours,” the film’s pathos is drawn from the sonic integrity of Holiday’s original recording maintained in the sound design as well as the singer’s tragic battle with substance abuse.
This entirely animated film was created using a hands-on, collaborative process rooted in traditional animation techniques, with every aspect of the artwork creation, design, and craftsmanship crafted entirely by human hands. AI-driven tools and processes were brought in during the animation rendering stage, helping the film achieve a distinct visual style that would have been difficult to achieve through conventional methods. The seamless integration of artistry and technology-enhanced production efficiency elevated the creative standard, resulting in a film that balances timeless craftsmanship with modern innovation.
The project was led by creative director Mateus de Paula Santos, who co-directed with Tiago Marcondes and Diogo Kalil. LOBO’s R&D division developed techniques that brought the creative vision to life, including a 2D Diffusion Render, a proprietary interface designed specifically for artists. The 2D Diffusion Render technique combines the human touch with the capabilities of AI, pushing the boundaries of audiovisual production. Together, these innovations enabled animators to transform traditionally animated 2D sequences into highly customizable visuals tailored to each project’s narrative and aesthetic needs, allowing for a variety of finishes, including realistic 3D, handmade stop-motion, moving paintings, and more.
“Creating this film required continuous learning,” says Mateus de Paula Santos of LOBO. “Through 2D Diffusion Render, we combined human expertise with AI to merge nostalgia with innovation. Everyone participated in all phases, from the first sketches to the final draft, to the development of the best handcraft design, getting the rights to Billie Holiday’s music, incorporating AI Rendering, and the challenge of putting together storytelling and scientific data.”
“Every detail of this film was carefully crafted,” says Erico Braga, Head of Arts & Craft at FCB Health New York, an IPG Health company. “From the insight about increased alcohol misuse during winter to craft choices like using paper animation to reflect human fragility against the snowball symbolizing alcohol’s impact on our main character’s life. Billie Holiday’s song further added momentum and emotional depth to the story.”
SAFE Project’s TheSnowball.org provides immediate, accessible resources for those caught in this cycle, whether they’re struggling themselves or supporting loved ones.
We are LOBO, a creative studio dedicated to moving images. With bases in São Paulo and New York City, we master a range of production techniques, including 2D/3D animation, stop motion, CGI, AI-driven workflows, and live action. Our versatile team of artists, developers, and directors handles every aspect of brand campaigns—from pre-production and live-action to art direction, animation, cinematography, post-production, and visual effects.
Snowball FILM Credits
FCBH:
CCO: Kathleen Nanda
EVP, Group Creative Director/Head of Art/Art Director: Érico Braga
EVP, Group Creative Director/ Art Director: Fábio Rodrigues
SVP Creative Director/Copywriter: Roberto Vilhena
VP, Creative Director/Art Director: Bob Buzas
VP, Creative Director/Copywriter: Andy Goodman
SVP, Group Executive Producer: Rebecca Binder
Director, Print Production: John Santangelo
Print Production Supervisor: Reid Thomas
Jaded Melody:
Music Supervisor: Mike Boris
Safe Project:
Chief Executive Officer: Jeff Horwitz
Executive Director, Substance Use and Behavioral Health: Leslie Plaia
Director of Communications and Marketing: Mike LaBrie
Bumblebeat:
Audio Production Company: Bumblebeat Audio Hive
Music Directors: Henrique Tanji & Lucas Sfair
Executive Producer: Luisa Hackett
Sound Design: Diego Panico, Henrique Tanji & Lucas Sfair
Mixing & Dolby Atmos Mix: Beto Neves, Henrique Tanji & Lucas Sfair
Mix Assistant: Rafael Angerami
LOBO:
Agency: | FCB Health New York |
CD / Creative Team: | |
Agency Producer: | |
Creative Director | Mateus de Paula Santos |
Director(s): | Mateus de Paula Santos, Tiago Marcondes e Diogo Kalil |
Live-Action Director: | |
Managjing Partner | Luis Ribeiro |
Executive Producer Lobo: | Su Constantine |
1st AD: | |
Director of Photography: | |
VFX Supervisor: | |
Still Photographer: | |
Art Director: | |
Line Producer: | |
Storyboard artist: | Rafael Fernandes e Marcos Felix |
Head of Production: | Marcelo Barbosa |
Head of Post Production | Eduardo Silva |
Producer: | Rapha Stanzani e Jules Loyola |
Post-Production Coordinator : | Rosangela Gomes |
Post-Production Coordinator Assistant : | Nathaly Lopes |
Post-Production Producer: | Eduardo Silva |
Editor: | Eduardo Silva |
Editor Assistant: | |
Compositing Supervisor: | |
Compositing Artist: | |
Rotoscope: | |
CG Coordinator: | Alceu Baptistão |
CG Supervisor: | |
Modeling: | Lucas Lira |
Rigging Supervisor: | |
Rigging: | |
CG Animation: | Alceu Baptistão |
Lighting & Render: | Mauricio Trivelin |
DMP Lead: | |
DMP Artist: | |
Color Grading: | |
Motion Graphics Lead: | |
Motion Graphics Artist: | |
Ingest / Conform / Delivery: | Isabela Balbo, Marco Tavares e Fábio Augusto |
Concept Art: | Debora Matsuda, Will Panassi, Rafael Fernandes e Pedro Jones |
2D Animation Supervisor: | |
2D Character Design: | Debora Matsuda, Will Panassi, Rafael Fernandes, Pedro Jones e Marcos Felix |
2D Background: | Pedro Jones, Will Panassi, Rafa Fernandes, Debora Matsuda, Alceu Baptistão |
2D Animation: | Francis Viveiros, Bruno Tedesco, Anderson Omori, Karen Tiemi e Gian Burani |
2D Animation Assist: | |
Cleanup and Color: | Michel Venus, Francis Viveiros, Bruno Tedesco, Anderson Omori, Karen Tiemi, Gian Burani e Gabrielle Paparelli |
2D Compositing: | Guilherme Diniz, Victor Nils, Julio Saez, João Paulo Oliveira, Maurício Reis, Gabriel Green |
Diretor de Tecnologia e R&D | Giovani Ferreira |
Tech Lead/CloudOps | Felds Liscia |
Web Dev | Bernardo Notargiacomo |
Research: | Raphael Amário, Karin Cristina, Roger Marmo |
Music: | Bumblebeat |