‘Down the Rabbit Hole’ is a group exhibition presented by Katya’s Space CIC, displayed throughout the vaulted underground chambers and labyrinthine tunnels of The Crypt Gallery in London. Bringing together over 30 artists from London and around the world, the exhibition investigates the
psychological and emotional landscapes shaped by the COVID-19 era, exploring solitude, dislocation, and transformation.
At the exhibition’s centre is the work of Katya Kan (1987–2023), with the watercolour ‘Spacetime’, an image of Iceland’s Diamond Cave pierced by her recurring bunny alter ego. Both whimsical and unsettling, the rabbit figure gazes from a crystalline tunnel stretching toward infinity – an allegory of
confinement where the light at its end signals not a release, but the stillness of suspended time. Katya’s Space honours the legacy of the late Katya Kan by fostering the next generation of artists and filmmakers.
Down The Rabbit Hole brings together multidisciplinary artworks across a diverse range of media, including site specific immersive installations, painting, works on paper, photography, sculpture, film, music and performance. The exhibition is curated by Amie Conway with Galia Velimukhametova, the
Director of Katya’s Space CIC.
Exhibiting artists include Aliki Karveli (Greece, London), Ananda Kuhn (Brazil, Italy), Aurelie Freoua (France, London), Cate Lis, Ed Mirza, Ela Hsu, Gabrielle Hawkins, Haohao Zhang (China), Isabel Paget, Lauren Baker (London), Leila Anderson (Kazakhstan), Leyla Ustenkaya (Turkey, Bosnia, France), Maham Suhail, Marcia Scott, Marina Smith / Diana Anastasia, mORGANICo, Roza Horowitz (Holland), Sophi Gardner, Vaidehi Bhargava, Zorica Purlija (Montenegro, Australia). Artworks are available for sale with all profits directly supporting the artists and future events.
Quoting Lewis Carroll’s Alice’s Adventures in Wonderland: “It’s no use going back to yesterday, because I was a different person then,” the exhibition’s title invites visitors to descend into the unknown, reflecting on how the pandemic continues to shape our perception of time, isolation, and social connection. Through immersive installations, light sculptures, site-specific projections, and more, the exhibition explores thresholds, mythic journeys, and the interior landscapes of memory and transformation.
Notable works include Gianinna Delpino’s dream-like paintings of migration and origin; Yuliya V Krylova’s Butoh-inspired performance and painting investigating creativity as healing; Iona Scott’s plankton-inspired light sculptures revealing the barely visible; Thomas Robertson-Johnson’s Möbius
hourglass structure meditating on time cycles; Aurelie Freoua’s mixed-media reflections on memory; Ananda Kuhn’s surreal interior-geological landscapes; and Lauren Baker’s installation Five Regrets – Five Truths, flooding a crypt chamber with existential and cosmic reflection.
Human beings have always faced thresholds they cannot see beyond. The pandemic was such a moment — a rupture in ordinary life that compelled introspection, myth-making, and symbolic storytelling. Down the Rabbit Hole visualises this shared experience, inviting visitors to step into an
underworld of reflection, creativity, and transformation.
